tag:blogger.com,1999:blog-329157712024-03-08T03:14:38.349+01:00tbatba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.comBlogger108125tag:blogger.com,1999:blog-32915771.post-23153425009689704192009-04-06T21:02:00.002+02:002009-04-06T21:22:35.689+02:00free musicinstead of a writing a review of a popular band with a music company deal, this time I want to direct you to the opposite end of the musical spectrum: <span style="font-weight: bold;">free music</span>. <span style="font-weight: bold;">creative commons</span> (cc) music.<br /><br />if you are familiar with the concept of <span style="font-weight: bold;">creative commons</span>, you may know that it is described as "free - as in free speech, not as in free beer."<br /><br />a few days ago a website called <span style="font-style: italic;">the free music archive</span> has been launched that distributes music produced under creative commons licenses. these licenses act as an alternative to copyright. as an artist, you can publish your art from one of a selection of cc licenses to make sure consumers can do more with it than simply consume it. the most restrictive of the cc licenses allows anyone to redistribute the work. this is exactly what is supposed to happen on the <span style="font-style: italic;">free music archive</span>.<br />but a lot of artists use licenses that are even less restrictive. some allow you derivative works, like remixing or using the music as a background track for your own film. on the free music archive, you can browse the music by the licenses they have been published under, which lets you know exactly what you can do with the song.<br /><br />if you need music for any project you are involved with, the <span style="font-style: italic;">free music archive</span> probably is the easiest way to find it. and dont think it is just cheesy keyboard music. I simply clicked on the pop button and had a look at the songs available on the first page that came up - I already found some artists names I am familiar with. and dont forget: if the license allows it, you dont have to use the whole song. you can just use a drum intro or an a capella part.<br /><br />these license things may sound strange when youu read about them for the first time. you may even wonder why they chose the<span style="font-style: italic;"> free</span> in the name. well, thats because this time, it does not only mean <span style="font-weight: bold;">free speech</span>. it also means <span style="font-weight: bold;">free beer</span>.<br /><br />now go and explore it! here is <a href="http://freemusicarchive.org/">the link</a>tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com2tag:blogger.com,1999:blog-32915771.post-10912036753505315782009-02-18T07:42:00.003+01:002009-02-18T09:13:09.229+01:00gigomania 2009gigomania 2009 has started, I'm having a little break after the first round of gigs. It's time to reconsider and review.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/QWyrJXSJUsA&hl=de&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/QWyrJXSJUsA&hl=de&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />The first one in a long row was <span style="font-weight: bold;">Roisin Murphy</span>, seen at<span style="font-style: italic;"> Huxley's</span>, Berlin on 13th November 2008. If you've seen her solo or in the old <span style="font-weight: bold;">Moloko</span> days, you may know: Roisin is a tiger on stage. she is the only artist I know who does not need a support act to heat up the crowd from the very first moment. she is the only one if seen in years who takes stagediving seriously. And I must admit, for me it was the first time I did not see a gig, but a show - meaning choreography, costumes and video instalments. All of which Roisin would not actually need, because she herself was the most interesting thing to watch, not her clothes and hats.<br /><br />support act: none<br /><br />audience: approx. 1000. gay fashionistas (almost exclusively) and lesbians<br /><br />visuals: video art, costumes, two background singern + a band<br /><br />performance: singing so incredibly fine that for parts of the gig I was not sure if this was playback or not<br /><br />movements: from revised dances to stagediving, plus a tiny assistens running up and down the stage to catch the items roisin would have to trough around during her performance<br /><br />venue: looks like an old theatre, wooden floor on the second made me feel uncomfortable about solidity, drinks price average to high<br /><br />highlight: I touched <span style="font-weight: bold;">Roisin</span>.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/79_RRzG9ZdU&hl=de&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/79_RRzG9ZdU&hl=de&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />next on my list was <span style="font-weight: bold;">Oasis</span>, who played the <span style="font-style: italic;">Arena</span> Berlin on Sunday, 18th January 2009. I must admit there is not much to write about. The whole thing was a disappointment for me. I had bought the tickets months before, so I went, even though I had a fever. Now a gig is a good gig if I can dance or jump around, I need interaction, with the band or the crowd and I need to somehow vent my feelings by screaming or singing along. What I do not need is to stand in a corner, high on medicine, unable to move and sipping orange juice.<br />What happened on that gig? apparently, <span style="font-weight: bold;">Liam Gallagher</span> went off stage in the middle of I'm outta time because he could not sing the high notes, apparently <span style="font-weight: bold;">Noel Gallagher</span> did barely move at all, apparently they played <span style="font-style: italic;">The Masterplan</span> (which I love) and so on, but I would not swear on that, because I do only vaguely remember.<br /><br />support act: <span style="font-weight: bold;">The Twisted Wheel</span>, who played a smaller (much smaller) gig at the <span style="font-style: italic;">privatclub</span> the day before. That was probably great, because they are a good band, but at the <span style="font-style: italic;">Arena</span> nobody really paid attention.<br /><br />audience: approx. 5000. From ordinary guys with bad boring haircuts to over-dressed britpop guys with even worse haircuts to young girls with too tight tops to girlfriends who just tagged along.<br /><br />visuals: four screens only about half of the audience could see because the venue was to large and, and which were not really used to capture what was going on on stage.<br /><br />performance: a couple of old hits + the good new songs, a high-profile band and a nervous singer<br /><br />movements: Noel - none, Liam - too much<br /><br />venue: so large it felt uncomfortable - how can the crowd feel united in the songs when it is that big. in fact it was so big I did not even hear the "<span style="font-style: italic;">so sally could wait</span>"-chants at my end of the venue.<br /><br />highlight: 5000 people - and <span style="font-weight: bold;">Fran Healy</span> walking right past me.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/K3non08TKDY&hl=de&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/K3non08TKDY&hl=de&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />Not much more than a week later I felt way better and had the kind of a gig I am looking for. <span style="font-weight: bold;">Little Man Tate</span> played a show at the <span style="font-style: italic;">Magnet</span> Club, Berlin on Monday, 26th January 2009. I was a bit uncertain about how the audience would receive them, because they are such an apparently British band. I never know if this is maybe misunderstood by the Germans. Indeed, the people who made the party were a couple of British fans in the first row. They were eager to shout and interact with the band, so I just mixed with them and danced and sang along.<br />They played a couple of new songs which I had not heard before. So it took a while until the hits were played, but the new stuff is pretty nice, too. Apart from that, <span style="font-weight: bold;">LMT</span> must be one of the nicest bands ever, because they encouraged the whole audience to come and chat with them after the gig and go have a drink with them. They are very much the kind of lads you'd like to be friends with.<br /><br />support act: I was told it was a terrible Berlin band, but i got no clue because i spent the time drinking beer in a pub near the venue.<br /><br />audience: approx. 50. the Brits in the first three rows, behind them a mixed crowd, from young girls to old farts.<br /><br />visuals: all band members wore black leather shoes. you can't miss the little details when there is no light show going on.<br /><br />performance: Jon Windle kept on insisting his voice was coarse, but really he sang quite well!<br /><br />movements: me - a lot!<br /><br />venue: very small, intimate, laid back on a Monday evening<br /><br />highlights: <span style="font-weight: bold;">Fran Healy</span> is a friend of the band and was there. 50 people, but this time I did not see him. lesson learned.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/T4qy4dzu2g0&hl=de&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/T4qy4dzu2g0&hl=de&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />Read the next gig date and calculate why this post is called gigomania - it was only Saturday that I went out again. A lovely bunch of people from <span style="font-style: italic;">Manchester</span> called <span style="font-weight: bold;">The Whip</span> performed at <span style="font-style: italic;">Knaack</span> Klub, Berlin on Saturday, 31st January 2009. The last time the played Berlin was about a year ago, and back then, there was virtually no one there. But over the last year, they built up quite a fan base in Germany and I 've read a few articles about them in music mags. <span style="font-weight: bold;">The Whip</span> are rising and their time will come.<br /><br />support act: I think they were the support, or at least the first band in a row of two.<br /><br />audience: approx. 200. party people.<br /><br />performance: good singing, good drumming<br /><br />movements: They really tried this "clap along" thing. It only worked sometimes. The audience was greatin the end but a bit shy at the beginning.<br /><br />venue: it's got a bar and a pedestal at the side so everyone can see. but there is a pillar in front of the stage.<br /><br />highlights: <span style="font-weight: bold;">Fee</span> drumming and drinking beer at the same time.<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/FY7OSdbhX4k&hl=de&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/FY7OSdbhX4k&hl=de&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br />The last one so far is <span style="font-weight: bold;">Travis</span>. After selling out the <span style="font-style: italic;">Kesselhaus</span> in no time at all, their gig on Friday, 6th February was relocated to the <span style="font-style: italic;">Huxley's</span>, which they eventually sold out, too. We keep in mind: singer moves to Berlin + is married to a German + new record released + he appears in every magazine and radio show talking about berlin = Berlin goes all crazy about him.<br />Seeing <span style="font-weight: bold;">Travis</span> live has been on my list for a long time. When they came back, I felt 16 again, and I was surprised their new songs could touch me as much as the old ones did back then. However, at the gig I realised I did not want to share that with the audience. I mean the band was great. And nice. And they made a good show for the masses. But I did not feel like <span style="font-style: italic;">mass pogo</span>, especially not if you have to explain what pogo is first. So if you got the chance, go and see <span style="font-weight: bold;">Travis</span>, they are good. But not for me on that day.<br /><br />support act: Some boring band who tried to look and sound indie<br /><br />audience: approx. 1000. secretaries with their boyfriends, who usually never go to gigs , snuggling throughout the show<br /><br />performance: They know how to play their instruments!<br /><br />movements: Singer: lots of jumping, bass player: lots of posing, guitar player: lots of bending<br /><br />venue: The toilet attendant does want you money, but you can get free candy from her, too!<br /><br />highlights: <span style="font-weight: bold;">Fran Healy</span>, and <span style="font-style: italic;">everyone</span> <span style="font-style: italic;">saw him</span>!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-47703243133142760232008-07-30T21:24:00.002+02:002008-07-30T21:26:41.226+02:00Mystery Jets: Two Doors Downsuch a brilliant 80s parody I am a bit worried it's actually not a parody:<br /><br /><object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/K2Dl3VQ2K2U&hl=en&fs=1"><param name="allowFullScreen" value="true"><embed src="http://www.youtube.com/v/K2Dl3VQ2K2U&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" height="344" width="425"></embed></object>tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-14911464572926275192008-07-02T10:17:00.004+02:002008-07-02T10:30:36.838+02:00some of the scariest...... so-called artists were found on this myspace page today.<br /> <a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiLiLumElVKaqOfzCTsA9MOVJJfVJt4lI8q39ntNMH98O007w6ga9lH9xjX30YzZCg4vjSjRtdWruo41U4dzmXeLcSJRUgqjo9ddFlBOZEGQuZ9gfHqKZv2qRdCY7956gotRci/s1600-h/gruselmyspace.JPG"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhiLiLumElVKaqOfzCTsA9MOVJJfVJt4lI8q39ntNMH98O007w6ga9lH9xjX30YzZCg4vjSjRtdWruo41U4dzmXeLcSJRUgqjo9ddFlBOZEGQuZ9gfHqKZv2qRdCY7956gotRci/s400/gruselmyspace.JPG" alt="" id="BLOGGER_PHOTO_ID_5218330650204921522" border="0" /></a>There's no need telling you what page this is, but the friends list is extraordinary, don't you agree? It comprises a variety of "artists", but somehow they all seem to be clones. Here are the white people making black music for white people, and the black people performing the white people's black music for white people. Here are white people claiming to be just like black people, and the whites love it. It is all artificial, synthetic, fake, and I don't even mean the imposters only.<br /><br />On the other hand, I bet you can hum a tune for nearly every one of these pictures and wont get it our of your head for hours.<br /><br />It's a sad artificial white imposter world of music..tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-36621606634019358322008-04-18T23:06:00.004+02:002008-04-18T23:31:53.589+02:00The Whip @ Magnet, Berlin<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ecx.images-amazon.com/images/I/41aDo1pI5rL._SS500_.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://ecx.images-amazon.com/images/I/41aDo1pI5rL._SS500_.jpg" alt="" border="0" /></a><br /><span style="font-weight: bold;"><br /><br />The Whip</span> are a four-piece electro band from Manchester, and one of the sweet memories of my time in the city. I saw them live there about a year ago, at a time when in all of Germany, no one had heard of them yet. Now they are the next big thing (if you wanna call it that way) and you can hear them on the radio and read about them in music mags. With their debut album <span style="font-style: italic;">X Marks Destination</span> released very recently, it was time for them to tour the Continent for the first time ever. I very much looked forward to seeing them, as nostalgic feelings for my time in Manchester keep growing and growing and I think the music is fucking awesome.<br /><br />I recently started to learn playing the drums and one of the things I learned to play is the thrilling beat of their single <span style="font-style: italic;">Trash</span>. It sounds very simple, but is hard to play because you have to be absolutely exact. I mean, everything has to be in sync, even more than with any other drum pattern I have worked on so far. I decided to make a little research project out of the gig. I wanted to watch the drummer <span style="font-weight: bold;">Fiona</span> as much as possible, to learn something from her. It looks like what she does is hard work. She does not seem to stop playing the bass drum at all, and it is all very straight-forward, energetic, like a computer. In fact, she must be a human drum machine!<br /><br />However, for the first few songs I was not concentrating on watching her drumming at all. Instead, I was dancing wildy, jumping up and down and enjoying the music just as the rest of the audience did (they were not at all as lame and hesitating as a berlin crowd in front of an unknown band is usually). A few years ago I was listening to electronin music extensively and I had thought it was time to go out dancing to electronic music again soon. However, I despise the typically electronic dj sets you usally get, because I know there will always be music I think is absolutely shit, silly and not worth dancing to. Not with The Whip! I was enjoying every single minute, every single beat - the ones I watched carefully and the ones I moved my body to.<br /><br />The gig was over with no encore after 45 minutes, but what else can a band do than play their reportoire, which naturally isn't that extensive after they've just released one single album. I bought the cd afterwards from their very nice bass player <span style="font-weight: bold;">Nathan</span>, and so should you! It was a marvellous evening.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-6225433691837025122008-04-08T20:19:00.006+02:002008-04-08T21:46:52.255+02:00Mike LongWho's that boy? That you dream of?<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/UbrmiSjJl0k"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/UbrmiSjJl0k" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br />The one with the exquisite taste in music? Who knows good tunes from original sixties band <a href="http://www.youtube.com/watch?v=LdaIWGd9K2k">The Creation</a> to eighties power punk <a href="http://www.youtube.com/watch?v=L07ebbddNhY">X-Ray Spex</a> to the very recent <a href="http://www.youtube.com/watch?v=7Vol_894ZHo">Robyn</a>?<br /><br />never heard of any of these? who's this guy who can also give you sixties <a href="http://www.youtube.com/watch?v=rKeDDZWRkEQ">Beatles</a>, eighties <a href="http://www.youtube.com/watch?v=HFibsmMQi80">Michael Jackson</a> or rather contemporary <a href="http://www.youtube.com/watch?v=Tf44gMh3CIs">The Knife</a>?<br /><br />Who is this guy who appreciates a <a href="http://www.youtube.com/watch?v=MGzmxMvEonE">sweet soul ballad</a> just as much as a <a href="http://www.youtube.com/watch?v=nLBmniQbGX0">laid-back reggae rhythm</a> or an <a href="http://www.youtube.com/watch?v=HPbrcojVyrc">old funk classic</a>? <a href="http://www.youtube.com/watch?v=MehjKKUBN9s">Punk</a> is on his list just as much as <a href="http://www.youtube.com/watch?v=OT7zhe12M1c">Kraut music</a> or, of course, <a href="http://www.youtube.com/watch?v=avTPMMu2Dio">cock rock - I mean satire</a>.<br /><br />Who's the guy dancing to each of this classic tunes, with a uniqueness that makes any average white-guys-can't-dance white guy have a little crush on him.<br /><br />Who he is? He's <a href="http://thelonger.com/">Mike Long</a>. He's gonna be a <a href="http://www.youtube.com/user/dipsetmuthafucka">star</a>!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-3378594226819701532008-03-19T20:25:00.005+01:002008-03-20T23:48:59.188+01:00Flight Of The ConchordsHere's to funny things happening in music recently. <span style="font-weight: bold;">Flight Of The Conchords</span> is a musical comedy duo from New Zealand and they got their own tv show, too! But I'll spare you (or rather me) reciting biographical details and trivia I could only copy from other websites (obligatory link #1: <a href="http://www.conchords.co.nz/">the homepage</a>; obligatory link #2: <a href="http://en.wikipedia.org/wiki/Flight_of_the_conchords">wikipedia</a>; obligatory link #3: <a href="http://www.myspace.com/conchords">myspace</a>). and give you something to see first and then my thoughts afterwards.<br /><br /><span style="font-style: italic;">If You're into it</span><br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/pY8jaGs7xJ0&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/pY8jaGs7xJ0&hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br /><span><span style="font-style: italic;">Hiphopopotamus vs. Rhymenoceros</span><br /><br /></span><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/FArZxLj6DLk&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/FArZxLj6DLk&hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br /><span style="font-style: italic;">Inner City Pressure</span><br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/_RC0DdrHbGg&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/_RC0DdrHbGg&hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br /><span style="font-style: italic;">Business Time</span><br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/WGOohBytKTU&hl=en"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/WGOohBytKTU&hl=en" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br /><span style="font-style: italic;">Inner City Pressure</span> is not bad, eh? You can tell it is a total rip off of <span style="font-weight: bold;">The Pet Shop Boys</span>, but yet it is such a unique song. The sound is so much the same but they did not just add different lyrics to a familiar melody.<br /><br />What fascinates me about <span style="font-weight: bold;">Flight Of The Conchords</span> is that at first I thought how clever they were not forming an ordinary band, but making a comedy thing out of it. That way they are not limited to one style of music and they do not have fixed roles (like who plays what instrument etc.). Although their live shows are with acoustic guitars only (at least as far as I have seen on youtube), they can play all sorts of music in the show - quoting music history from <span style="font-style: italic;">ragga</span> to <span style="font-style: italic;">hiphop</span> to <span style="font-style: italic;">french pop</span> to <span style="font-style: italic;">electronic music</span> to <span style="font-style: italic;">folk</span>, from <span style="font-weight: bold;">David Bowie</span> to <span style="font-weight: bold;">Pet Shop Boys</span> to <span style="font-weight: bold;">Sisqo</span> and so on. Then I wondered whether this meant they weren't so clever at all, because basically when you use a musical style and just copy it for your own song, then there is a lot of work that has been done for you already. But if you listened to the songs closely, you should object now - of course. What makes each song remarkable different from any music it was inspired by is how the two guys use lyrics to comment on their inspiration, to ironically over-emphasice and ridicule what was at no point meant to be funny by the original artists - hence the comedy aspect.<br /><br />"you know you're not in high finance<br />considering second-hand underpants"<br /><br />is what the <span style="font-weight: bold;">Pet Shop Boys</span> would never have added to their description of the lifes of young rebelious <span style="font-style: italic;">west end boys.<br /></span><span><br />Same goes for rapping the obligatory hate rhyme:</span><span style="font-style: italic;"><br /><br /></span><span>"Other rappers dis me<br />Say my rhymes are sissy.<br />Why? Why? Why?<br />What?<br />Why exactly?<br />What? Why?<br />Be more constructive with your feedback, please. Why?"</span><br /><br />and <span style="font-style: italic;">If You're Into It</span> is just thoughts of a boy - a boy nobody ever told when to stop!<br /><br /><span>"If you want me to<br />I could hang 'round with you<br />If I only knew<br />That's what you're into.<br />You and him<br />Him and you<br />If that's what<br />You're into<br />Him hanging 'round<br />Around you<br />You're hanging 'round<br />Yeah, you're there too.<br /><br />...<br /><br /></span><span>Then on our next date<br />Well, you could bring your roommate<br />I don't know if Stu is keen to<br />But if you want we could double-team you<br />How about you<br />And two dudes?<br />Him, you and Stu<br />In the nude<br />Being lewd with two dudes with food<br />Well, that's if Stu's into it, too"<br /><br />It's soo well done how all the sounds of the vowels correspond with each other. </span>This is very you can see how much lyrics with music and poetry have in common - the sound has to project the meaning. The way they do it shows they are not only good lyricists, but also fantastic musician. This is very clever, musically and lyrically!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-43607672760184362292008-02-28T14:09:00.003+01:002008-02-28T14:31:32.154+01:00never say never!I'm wanna start one of these conspiracy theories that never die - because they are about people not being dead:<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.late20thcenturyboy.com/pics/exhibition/KEITH-MOON-1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://www.late20thcenturyboy.com/pics/exhibition/KEITH-MOON-1.jpg" alt="" border="0" /></a><span style="font-weight: bold;">Keith Moon</span>, animal, world-class drumming monster, former <a href="http://en.wikipedia.org/wiki/The_who"><span style="font-weight: bold;">The Who</span></a> member (1964-1978), infamous for his rampant, never beaten hollow drum beating, died at the age of 32, looking a lot older <a href="http://en.wikipedia.org/wiki/Keith_Moon#Death">because of drugs and booze and all</a>. Or so we think. The truth is, he's given up drumming, moved to Canada and now writes acoustic songs (no drumming!) for his new girlfriend <span style="font-weight: bold;">Feist</span>. You don't believe that? Why then is her song called <span style="font-style: italic;">My Moon, My Man</span>?tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com2tag:blogger.com,1999:blog-32915771.post-16065371105449188462008-02-25T19:39:00.003+01:002008-02-25T19:55:14.197+01:00100ths post!<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.ddrtechnik.de/DDR/Staatsoberhaeupter/Erich_Honecker/MargotHonecker.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 151px; height: 127px;" src="http://www.ddrtechnik.de/DDR/Staatsoberhaeupter/Erich_Honecker/MargotHonecker.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/LeslieFeist.jpg/180px-LeslieFeist.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 151px; height: 202px;" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/b5/LeslieFeist.jpg/180px-LeslieFeist.jpg" alt="" border="0" /></a>Margot vs. Leslie<br /><br />What do these to Ladies have in common? The first one was the first Lady in a small country that shaped my Mom's view of live, the second one is the number-one artist from a great country that, hm, my Mom probably does not know much about.<br /><br />The first one was how my Mom memorised the second one. I went to the record store with her because I really wanted to give her <span style="font-style: italic;">The Reminder</span> as a present. My Mom asked which record I was looking for and I said "From a singer called <span style="font-weight: bold;">Feist</span>". To my very surprise she told me she had heard of that woman already, "isn't she the one from Canada?". "Yes, she is, how did you know?" "Well", my mother said, "I only remembered because <span style="font-style: italic;">Feist</span> is <span style="font-weight: bold;">Margot Honeckers</span> maiden name.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com1tag:blogger.com,1999:blog-32915771.post-82154364821506117722008-02-18T10:55:00.004+01:002008-02-18T11:27:44.430+01:00Sandmännchen all over the world<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://www.rbb-online.de/_/_servlet/de.blueorange.xred.images.imagemanipulationservlet/enc=d3m9cmjijnribd1pbnrfehjlzgltywdljmnvbd00mdjfmtiwjmlkptm5mdi5nzama2v5ptm5mdi5nzamagvpz2h0pteymcz3awr0ad00mdimywdlptewmdawmdawjnf1yww9ma__.jpeg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://www.rbb-online.de/_/_servlet/de.blueorange.xred.images.imagemanipulationservlet/enc=d3m9cmjijnribd1pbnrfehjlzgltywdljmnvbd00mdjfmtiwjmlkptm5mdi5nzama2v5ptm5mdi5nzamagvpz2h0pteymcz3awr0ad00mdimywdlptewmdawmdawjnf1yww9ma__.jpeg" alt="" border="0" /></a><br />In his song <span style="font-style: italic;">It Was A Strange Time In My Life</span>, <span style="font-weight: bold;">Jens Lekman</span> uses a popular melody to make 17 seem even younger than just not 18 yet. It is the <span style="font-weight: bold;">Sandmännchen</span> title melody from the all-too-familiar children's good-night tv show. There is one thing about products of art for kids: They stay in the heart and arouse feelings much more than most things people get to know later, because they are among the first things that shape a person's taste, and they connect to a time when whatever happened seemed to be okay. That is way the <span style="font-weight: bold;">Sandmännchen</span> song caught very positive reactions <a href="http://tbatobeannounced.blogspot.com/2008/02/jens-lekman-lido-berlin.html"><span style="text-decoration: underline;">last </span>Saturday night</a>. And I curiously did my research to find out to whomever we owe this little sweet melody.<br /><br />The <span style="font-weight: bold;">Sandmännchen</span> idea was created sometime around 1959 by a West-german radio moderator who already presented an evening show for kids based on good night tales. With the idea of the figure behind, a TV show was to be created. However, when TV people from the former GDR heard about this, they wanted to be faster. The Eastern <span style="font-weight: bold;">Sandmännchen</span> was created and aired before the Western one, and according to its composer, the title song was written within three hours, after the lyrics were give through the telephone. <a href="http://de.wikipedia.org/wiki/Wolfgang_Richter"><span style="font-weight: bold;">Wolfgang Richter</span></a> was the name of the guy who did the song. In the end, what had started so sudden turned out to be a major success. Today, there are <span style="font-weight: bold;">Sandmännchen</span> shows in a lot of European countries such as Great Britain, France, Netherlands, Poland, Spain, Hungary, Norway and of course Sweden. And while the idea of telling bed stories to kids is universal, the song itself isn't. Every language has a different recording of the song, and you can listen to some of them, including the one <span style="font-weight: bold;">Jens Lekman</span> must have heard every evening, on <a href="http://www.sandmaennchen.de/_/geschichten/sandmannlied/index_jsp/key=7_4311.html">the official Sandmännchen webpage</a>.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-4807010719820186832008-02-17T15:35:00.003+01:002008-02-17T16:04:50.910+01:00Jens Lekman @ Lido, BerlinSaturday night and <span style="font-weight: bold;">Jens Lekman </span>is in town! How could I dare not going, especially when I got the ticket as a present (thank you!). As expected, <span style="font-weight: bold;">Jens</span> got the masses making a pilgrimage to the Lido, the metro to the venue was packed with people speaking in scandinavian tongues. The growing population of Scandinavians in Berlin is no secret, and neither is <span style="font-weight: bold;">Jens</span>' fondness of the city. He has been very charmingly building up a song by describing in detail how to get to Berlin when you are coming from Sweden or Denmark (Easyjet takes 45 min, but Saefflebussen costs 5 euro less, and "knowing Berlin I was sure I could make use of that 5 euro somehow". I enjoyed this story very much, as I am familiar with the pleasures of seeing the baltic sea from the sky and 20 hours on the road all through Denmark and over the bridge to Sweden). The crowd, very likely comprising of Scandinavian-enthusiasts like me, screamed with laughter. <span style="font-weight: bold;">Jens</span> definitely is one of an entertainer who knows how to grab the audience by the balls. His show was not that long at a first glance, but three encores really did the deal. In fact, he sang until there was "no more song to sing" (I am sure he has got 10 new songs in his mind at any time) and he said he felt like dancing. No dancing for us there, though, as the after show party was not at the <span style="font-weight: bold;">Lido</span>, but in a different venue far away. After hanging around at the venue for at least another hour and a quick drop-in at the döner round the corner we decided to go to the party. It took us 45 mins to get there, changing train twice and freezing, just to be turned down at the door: We were told our tickets are not valid for the after show party and it was 6 Euro entry. I had just spend 6 Euro on a <span style="font-weight: bold;">Jens Lekman</span> record and the stupid temptation to speak to the gorgeous drummer about my attempts at banging the drums. I guess I made a little fool out of myself with little-girlish talk, but at least I bought the record. Anyway, no fucking <span style="font-weight: bold;">Karrera Klub</span> after show party for us, back to the concert: The record I bought, <span style="font-style: italic;">Friday Night At The Drive-In Bingo</span>, was the last regular song they played and it had this little showdown built in when all the members of the band put down their instruments and danced up and down the stage. There was still music playing then... No hard feelings here, the band was great and I eat my hat if this talented bunch of girls (plus one boy) was not playing life. However, girls (exxageration for dramatic puposes: it was only just one girl) in front of me were sobbing quite noisily when <span style="font-weight: bold;">Jens</span> played <span style="font-style: italic;">Pocketfull Of Money</span>, alone with his acoustic guitar. I had no reason to cry last night, I enjoyed it very much.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-68998697659920695552008-02-04T13:02:00.000+01:002008-02-04T13:14:02.626+01:00What the world not needs:Shitty techno remixes!<br /><br />What could be more exciting than the b-side of a single you just bought? Hopefully it is not an album track, and not a reheated track from years ago. Recently I've seen a lot of remixes of the a-side on the other side of the record. But what could be worse than these oomsta-oomsta-techno remixes which all got the same beat and stretch the voice to make it mickey-mouse-like? This is soo boring. That's fucking with a DJ who pays good money for a song. Is it too much to expect a "decent" b-side? What has worked so well with covers recently is that a lot of people now recognise that what makes a good cover version is a distinction from the original and some imagination in the interpretation of the song. Unfortunately this does not seem to matter for remixes. I actually don't wanna say names, but It's just happened with the vinyl single of <span style="font-weight: bold;">Simian Mobile Disco's</span> <span style="font-style: italic;">I Believe</span>. I love this song. I'd love to dance to it in a club. I'd be really excited if I heard a thrilling remix. But I am turned off by uninspired boom boom boom.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-37966623731264582752008-01-18T21:10:00.000+01:002008-01-21T10:31:48.219+01:00woof woof baaI'm laughing my head off at the moment listening to <span style="font-weight: bold;">The Beatle Barkers</span> interpretation of <span style="font-style: italic;">Hard Days Night</span>. As for msucial interpretation, there isn't much new to it, only the lyrics have been substituted with dog woofs and sheep baas. I found it in a podcast by the British poet and musician Martin Newell. It is a very entertaining song that becomes even more entertaining with what Martin Newell has to say about his memories of the 60s and The Beatles. You can download and listen to the whole thing <a href="http://www.stevedix.de/newell/newellcast1.mp3">here</a>, the song comes on in about the half or so of the podcast.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-72297306022222606072008-01-11T23:15:00.001+01:002008-01-12T00:24:33.424+01:0001 - Nicole Willis & The Soul Investigators: Keep Reachin' Up & Amy Winehouse: Back To Black<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri900/i949/i94955crhvi.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri900/i949/i94955crhvi.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri300/i384/i38417panv0.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri300/i384/i38417panv0.jpg" alt="" border="0" /></a><span style="font-size:180%;">01<br />NICOLE WILLIS & THE SOUL INVESTIGATORS: KEEP REACHIN' UP<span style="font-size:78%;"> (2006)</span></span><br /><span style="font-size:180%;">AMY WINEHOUSE: BACK TO BLACK</span> <span style="font-size:78%;">(2006)</span><br /><br />These two records largely made my year. I like them both so much there was no way of choosing one of them over the other. Each perfectly fits into one of the two halfs this year has been for me. <span style="font-style: italic;">Keep Reachin' Up</span> is me in Manchester, I can see myself sitting on the bed doing make up and getting ready for going out. I can feel this even now listening to it, the memories are so intense. <span style="font-style: italic;">Back To Black</span> is me in Berlin. The images that come up are less, well, images, rather diffused, but the feeling is the same. I feel butterflies in my stomach when I hear these records. The perfect soundtrack for 2007.<br />Both records were released in 2006. Like I wrote before, I think that even if I made a list of records released in 2007, it would still make a lot of sense to consider albums that came out in the late 2006. A good records, a NUMBER ONE RECORD<span style="font-style: italic;"> </span>needs some time to climb to that position, to become worthy enough for this. This is <span style="font-style: italic;">Keep Reachin' Up</span> for me. Ironically, the first time I heard about it was in a Best-of-2006-list, namely as the number one of the best soul records of 2006, chosen by the staff of <span style="font-weight: bold;">Picadilly Records Manchester</span> (which was elected "best independent record store" by the readers of <span style="font-weight: bold;">Music Week</span> and "one of the best shops at all" by <span style="font-weight: bold;">The Observer</span> in 2006). Their praise of <span style="font-weight: bold;">Nicole Willis</span>' record sounded so good I just had to get it. I was curious whether the record would keep the promise made by <span style="font-weight: bold;">Picadilly Records</span> - whic was stiring the <span style="font-style: italic;">Northern Soul</span> fire that had been burning in me since I came to Manchester. Needless to say that is just what it did.<br />Back To Black, however, needed a lot more time to make it into my heart. Although I had heard about <span style="font-weight: bold;">Amy Winehouse</span> already when her first album <span style="font-style: italic;">Frank</span> was released, I did not mind her at all back then. I have complained about her quite harshly, but in her case endless repetition of her songs, being played over and over kind made way for her record - through the backdoor.<br />So <span style="font-style: italic;">Keep Reachin' Up</span> won my heart at the very beginning of the year, and in a straight, steady way. <span style="font-style: italic;">Back To Black</span> only had very few time to overwhelm me, because it took the long way round. But both had to get my in the end.<br /><br />The two records are very much different, regarding their popularity. <span style="font-weight: bold;">Amy Winehouse</span> was massive this year, whereas no one seems to have heard of <span style="font-weight: bold;">Nicole Willis</span> at all. I got the feeling that the record might be a bit of a grower, not in terms of the music, but in terms of popularity. Musically, they have a lof of things in common. Both are outstanding up-to-date and new Northern Soul records, and, I must admit, the only two modern Northern Soul records I know about. There might be more coming up this year, with songs like the remix of <span style="font-weight: bold;">Frankie Valli's</span> <span style="font-style: italic;">Beggin'</span> getting quite some attention. For me, discovering and exploring Northern Soul was the biggest musical gain I got this year - even more than living in the city of music.<br />2007 has been the year of Northern Soul for me, and what would be more obvious than to mention <span style="font-weight: bold;">Amy Winehouse</span> as the woman who made Northern Soul music fashionable this year<span style="font-weight: bold;"></span>. You couldn't avoid <span style="font-style: italic;">Back To Black</span> this year, the songs seemed to be in everybody's ears and her name on everyone's lips. But <span style="font-weight: bold;">Nicole Willis</span> made way for her in my heart. So now I hope that the people who love <span style="font-style: italic;">Back To Black</span> could make space in their hearts for <span style="font-style: italic;">Keep Reachin' Up</span>...tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-13655508775101363342008-01-06T20:14:00.000+01:002008-01-06T20:47:55.460+01:0002 - The Coral: Roots & Echoes<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri900/i933/i93377ev8a1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri900/i933/i93377ev8a1.jpg" alt="" border="0" /></a><br /><span style="font-size:180%;">02<br />THE CORAL: ROOTS & ECHOES</span> <span style="font-size:78%;">(2007)</span><br /><br />Similar to <span style="font-weight: bold;">Rjd2's</span> <span style="font-style: italic;">The Third Hand</span>, <span style="font-style: italic;">Roots & Echoes</span> has been frequently on the turntable in autumn 2007. And I literally mean "turntable" this time, as there was no way of avoiding <span style="font-weight: bold;">The Coral</span> whenever I went out to listen and dance to great records. All of <span style="font-weight: bold;">The Coral</span>'s albums have their great moments and when I heard the band at clubs or bars, it was not even that likely I would get to hear a song from their latest record. But I have chosen this one as my favourite because it is the one I have listened to most frequently. Plus <span style="font-style: italic;">Who's Gonna Find Me</span> definitely is one of the songs of the year for me, and it is on this album. But then again, I only discovered <span style="font-style: italic;">Dreaming Of You</span> (from <span style="font-style: italic;">The Coral</span>) this year, and it should have been inside my heart and head from 2002 on. But maybe I would not have been ready for this sixties-influenced, bright and shining pop/rock music back then, I think I was listening to quite different stuff then. That is why I'd rather have the latest record as my favourite in this list, but all the others are great, too.<br />Anyway, <span style="font-weight: bold;">Rjd2</span> and <span style="font-weight: bold;">The Coral</span> is what I have been listening to heavily over the past few months, and to be honest, maybe this is one of the reason they ended up so high in the ranking. For the records that you listened to in the first half of the year may not be in your short-time memory when you are compiling the list, and the ones that you found out about by the very end of the year may be to fresh to really mean something to you. You will soon see how I tried to overcome this problem in my number one.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-79775648243670593422008-01-06T19:59:00.000+01:002008-01-06T20:12:34.627+01:0003 - Rjd2: The Third Hand<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri400/i430/i43066hxdrb.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri400/i430/i43066hxdrb.jpg" alt="" border="0" /></a><span style="font-size:180%;">03<br />RJD2: THE THIRD HAND</span> <span style="font-size:78%;">(2007)</span><br /><br />I have written about this one <a href="http://tbatobeannounced.blogspot.com/2007/07/rjd2-third-hand.html">here.</a> It is still hard to believe I read about this record in a hiphop magazine first. But yeah, <span style="font-weight: bold;">Rdj2</span> used to be a hiphop sampling dj once. With this record, he has created something more atmospheric, more dreamy, more melodic. This has been the soundtrack for my autumn this year. I used to listen to this one all of september when I was riding my bike. It is a bit of a twisted record, I find it very hard to add "labels" to it. But unlike last time I wrote about this record, there is now something I can give you to hear. Please have a look and listen at <span style="font-style: italic;">Work It Out</span>, which represents the feel of the album very well, I think. It may sound repetitive when you've only listened to it once, but If you give it a few more tries you will realise there is a lot going on in the song.<br /><br /><object height="355" width="425"><param name="movie" value="http://www.youtube.com/v/WZmgZN1umsM&rel=1"><param name="wmode" value="transparent"><embed src="http://www.youtube.com/v/WZmgZN1umsM&rel=1" type="application/x-shockwave-flash" wmode="transparent" height="355" width="425"></embed></object><br /><br /><span style="font-weight: bold;">Rjd2</span>, by the way, is not the guy with the crutches, but, among others, the guy in the blue/white checked shirt following him at the beginning.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-80220306302884074652008-01-02T19:19:00.000+01:002008-01-02T19:41:58.382+01:0004 - The Clash: The Clash & London Calling<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/drg500/g588/g58803hpqhn.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/drg500/g588/g58803hpqhn.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/drd900/d952/d95264o1973.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/drd900/d952/d95264o1973.jpg" alt="" border="0" /></a><span style="font-size:180%;">04<br />THE CLASH:<br />THE CLASH</span> <span style="font-size:78%;">(1977),</span><br /><span style="font-size:180%;">LONDON CALLING</span> (1979)<br /><br />2007 brought me lots of new musical styles to listen to, and <span style="font-style: italic;">punk rock</span> certainly is a very influential one. I always knew about <span style="font-weight: bold;">The Clash</span>, but never paid attention to their music until I went to Britain. When I was there, The documentary about <span style="font-weight: bold;">Joe Strummer</span>, <span style="font-style: italic;">The Future Is Unwritten</span>, was in the cinemas. I only saw the film after I got back to Berlin, but the big fuzz that was made about it was something I couldn't escape from. One day I heard <span style="font-style: italic;">Rock The Casbah</span> on the local uni radio station. It's a song I had known before but didn't know which band it was from. I also hadn't heard it for a long time, so it was kind of like discovering it for the first time - this wild, energetic, yet bright and jingly song. I then started to listen to lots of stuff from <span style="font-weight: bold;">The Clash</span>, that's why I cannot really choose one particular album to put here in the list. There are lots of Clash-classics, and most of them are on these two records: <span style="font-style: italic;">Janie Jones</span>, <span style="font-style: italic;">White Riot</span>, <span style="font-style: italic;">Career Opportunities</span>, <span style="font-style: italic;">Garageland</span> on <span style="font-style: italic;">The Clash</span> and <span style="font-style: italic;">London Calling</span> and <span style="font-style: italic;">Guns of Brixton</span> on <span style="font-style: italic;">London Calling</span>.<br />I also got some dvds abouth <span style="font-weight: bold;">The Clash</span> from the local library in Manchester. The band was everywhere this year, I even ended up in their local pub in Camden one evening when I was in London - and it was not at all intentional, nor something I knew when I got there. I only found out a lot later. Just like I found out how great this band is very late.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-66656217361433132742008-01-02T18:04:00.000+01:002008-01-02T18:31:38.315+01:0005 - The Detroit Cobras: Tied & True<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri500/i508/i50835ju3b0.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri500/i508/i50835ju3b0.jpg" alt="" border="0" /></a><br /><span style="font-size:180%;">05<br />THE DETROIT COBRAS: TIED & TRUE</span> (2007)<br /><br />On we go in the new year with old music. This record contains songs from the 60s, all covered by the band <span style="font-weight: bold;">The Detroit Cobras</span>. I like that all songs are really powerful, even the slow, sad ones. I read about this record in a music magazine, and the description sounded so tempting I just had to listen to it! I didnt like everything on it at first, only my first favourite song: <span style="font-style: italic;">Only To Other People</span>. I liked it so much that I have the whole album some more spins. It took a bit of time, but now I like it very much. It also quite well represents what kkind of music I particularly listened to this year: energetic, good , loud, and rather often with interesting female singers.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-85869313257470902402007-12-25T17:27:00.001+01:002008-01-02T18:32:00.856+01:0006 - Love: Forever Changes<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri400/i429/i42947ra4ma.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri400/i429/i42947ra4ma.jpg" alt="" border="0" /></a><br /><span style="font-size:180%;">06<br />LOVE: FOREVER CHANGES</span> <span style="font-size:78%;">(1967)</span><br /><br /><span style="font-style: italic;">Forever Changes</span> is a record I got as a present, as something I "must have". The first time I listened to this record was at a party, when I was hanging around with some people who all knew this one and wanted to hear it. A discussion about <span style="font-weight: bold;">Arthur Lee</span> started, the guy who wrote all the songs. Some people had seen him live a few years earlier, shortly before he died. A lot of attention was drawn to the record, so I listened to it quite often afterwards, and quickly fell in love with it. Yet this record is another on of these cases where I got the special edition, and maybe shouldn't have. The record itself is great, and there are some nice versions of the songs on it as well, but all in all, you don't really need all the special stuff that is on there. After all, a record is a record, and when it's over, the songs that follow kind of destroy the atmosphere the record created. However, to talk a bit more about the songs, <span style="font-style: italic;">Alone Again Or</span> is great, I knew this one even before I got the record. And I later found out that I had also heard <span style="font-style: italic;">Always See Your Face</span> before, as it is on the soundtrack of <span style="font-style: italic;">High Fidelity</span>, one of the greatest films about music there is. However, Forever Changes is not about single songs, but they whole record in itself is what you gotta listen to.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-34216281068054758712007-12-24T14:21:00.000+01:002007-12-24T22:16:25.890+01:0007 - The Zombies: Odessey and Oracle<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri800/i882/i88210zhvt1.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri800/i882/i88210zhvt1.jpg" alt="" border="0" /></a><br /><span style="font-size:180%;">07<br />THE ZOMBIES: ODESSEY AND ORACLE</span> <span style="font-size:78%;">(1968)</span><br /><br />I rarely listened to the record in a whole, I must admit. Rank 7 is more about certain songs that mean so much to me. This entry is mostly about <span style="font-style: italic;">Care Of Cell 44</span>, about <span style="font-style: italic;">Leave Me Be</span>, <span style="font-style: italic;">Time Of The Season</span>, <span style="font-style: italic;">This Will Be Our Year</span> - songs that are so important for me this year, that the whole record had to make it onto the list. Yet this is all about <span style="font-weight: bold;">The Zombies</span> as well, because these songs stand for their sound in general, their music, which I find incredibly good this year. When I discovered <span style="font-style: italic;">Leave Me Be</span>, it was another of these instances when I fell in love with a voice. I was in a state of mind when I could literally <span style="font-style: italic;">feel</span> the sadness this song emerged from. Later I heard <span style="font-style: italic;">Time Of The Season</span>, which is so different from <span style="font-style: italic;">Leave Me Be</span> - a bright song about happyness and love. After that, it took a while until I got the record. I got the new 30th anniversary edition as a present. It's a nice records, because everything a <span style="font-weight: bold;">Zombies</span>-newbee needs to have from the band is on there. And I love most of the record very much, songs like <span style="font-style: italic;">This Will Be Our Year</span> (which it was!), <span style="font-style: italic;">Brief Candles</span> and <span style="font-style: italic;">Maybe After He's Gone</span>. They are all fantastic, but none of them can quite shake me as much as this one song does:<span style="font-style: italic;"> Care Of Cell 44</span>. It's a long story behind this one. It's about me...tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-48565422251380643692007-12-22T15:21:00.000+01:002007-12-22T15:35:31.295+01:008 - The Bishops: the Bishops<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://ecx.images-amazon.com/images/I/51YA8Bc31XL._AA240_.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://ecx.images-amazon.com/images/I/51YA8Bc31XL._AA240_.jpg" alt="" border="0" /></a><span style="font-size:180%;">8<br />THE BISHOPS: THE BISHOPS</span> <span style="font-size:78%;">(2007)</span><br /><br /><span style="font-weight: bold;">The Bishops</span> stand for all the great <span style="font-style: italic;">rhythm'n'blues</span> and<span style="font-style: italic;"> beat</span> music I discovered this year. This is a fresh young band from London who just represent this great hard <span style="font-style: italic;">60's</span> sound and style so very well. A records that pushes you and makes you jump up and dance! I love their energy, and I am also very much into their sophisticated stylishness. Okay, I am repeating myself.<br />I like the band for how they combine dramatic lyrics that actually say something sad(<span style="font-style: italic;">The Only Place That I Can Look Is Down</span> or <span style="font-style: italic;">Will You Ever Come Back To Me</span>) with very danceable beat music. <span style="font-weight: bold;">The Bishops</span> are just one of the many many many recommendations that, ironically, came from all the way home to make my time in Manchester. I was told to go to their gig. I had the chance to see them both in Manchester and, later, in Berlin. But both times, it was not destined to happen. May I get a another chance? This probably depends on what's going to happen next with the band. Let's hope they keep it up!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-29390352533071420932007-12-22T14:52:00.000+01:002007-12-22T15:23:53.071+01:009 - Little Man Tate: About What You Know<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/dri400/i422/i42220fsif2.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/dri400/i422/i42220fsif2.jpg" alt="" border="0" /></a><br /><span style="font-size:180%;">9<br />LITTLE MAN TATE: ABOUT WHAT YOU KNOW</span> (2007)<br /><br />This years' list is gonna give a lot of reference to the time I spent in Britain. Being in the <span style="font-style: italic;">country of music</span> for five months, and spending almost all the time in the <span style="font-style: italic;">city of music</span> (I am talking about Manchester) does of course have some nice effects. I had great experiences there and some of them had loosely or tightly to do with <span style="font-weight: bold;">Little Man Tate</span>.<br /><br />The first time I heard about them was <i>last</i> year, in autumn 2006. Back then I went to a <span style="font-weight: bold;">Peter, Björn & John</span> gig in Berlin where they were touring with <span style="font-weight: bold;">Little Man Tate</span>. But I had no clue who they were and so we missed the show. But things that are destined to happen simply happen! In Manchester I had lots of opportunities to gain as much from the musical atmosphere there as possible. This included going to clubs and record stores (Manchester's <span style="font-style: italic;">Oldham Street</span> has a larger number of record stores than any other street or area in Britain), namely <span style="font-style: italic;">The Roadhouse</span> (venue) and <span style="font-style: italic;">Picadilly Records</span> (store). And one day on myspace I got a bulletin saying the <span style="font-weight: bold;">Little Man Tate</span> were doing a few free gigs in Britain to promote the release of their new single. The gig was in the Eastern holidays, and they were giving out tickets in <span style="font-style: italic;">Picadilly Records</span> on a specific date. By then, I had become very interested in the band because of their great rock music and their smart titles like <span style="font-style: italic;">Man I Hate Your Band</span>. So I rushed to shop right in the morning to make sure I got two tickets - as a special surprise for someone special who was gonna spend the holidays with me. The gig was great. And I mean not only the band, who were rather tired (you could tell by the voice of the singer that they had been touring the continent) but still put on a great show. For me it was also fantastic to observe the audience - lots of Brits, weird guys who were into stage diving and partying hard. And they adored the band. The atmosphere was very much alive.<br /><br />The record, <span style="font-style: italic;">About What You Know</span>, also brings back lots of memories of things that I experienced, which could only have happened in Britain. I went to a big house party, were two hundred people squeezed themselves into a living room to see <span style="font-weight: bold;">Foals</span> play for free, and everything I hear <span style="font-style: italic;">House Party At Boothys</span> I can't help but thinking of that. In most party of the album, the lyrics just refer to specific things I have seen that are part of the British culture. I am failing to properly describe this here, let's just say that it's great Britrock, and with this records I feel like I listened to it from a British point-of-view, not as someone who hears it and has to wonder what it is like to <span style="font-style: italic;">know</span> all this. Cause this time I know!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-34327397340335384642007-12-21T20:35:00.000+01:002007-12-21T20:55:50.525+01:0010 - Danger Doom: The Mouse And The Mask<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://image.allmusic.com/00/amg/cov200/drh000/h050/h05038hpqhn.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px;" src="http://image.allmusic.com/00/amg/cov200/drh000/h050/h05038hpqhn.jpg" alt="" border="0" /></a><span style="font-size:180%;"><span style="color: rgb(0, 0, 0);"><span style="color: rgb(255, 255, 255);">10 </span><br /><span style="color: rgb(255, 255, 255);">DANGER DOOM: THE MOUSE AND THE MASK</span><span style="color: rgb(255, 255, 255);font-size:78%;" > </span><span style="color: rgb(255, 255, 255);font-size:78%;" >(2005)</span></span></span><br /><br />This one is so fresh (for me) it could be a regular blog entry. I Listened to it very few times so far. Already it is bringing back lots of the good feelings hiphop used to give me some years ago. <span style="font-weight: bold;">Danger Dooms</span> voice is very charismatic, a bit mysterious and it gives me so much pleasure listening to what he has got to say. And he <i>has got</i> something to say. And finally, someone in the rap scene who has got the nerve to have some humour. When I had my <span style="font-style: italic;">hiphop</span> phase, 6 or 7 years ago, I admired the mcs for being able to articulate so many many interesting thoughts in one song, and sometimes telling great stories. Then I felt <span style="font-style: italic;">new school</span> had nothing important to say anymore, apart from a few valuable artists like <span style="font-weight: bold;">The Roots</span> or <span style="font-weight: bold;">Common</span>. The best hiphop, for me, is what groups like <span style="font-weight: bold;">The Pharcyde</span> or <span style="font-weight: bold;">A Tribe Called Quest</span> used to do in the early nineties. And <span style="font-style: italic;">The Mouse and The Mask</span> very much sounds like that.<br />Hello rap music, In casef there's more we're-ina-a-good-mood-and-can-also-have-aluagh-about-ourselves like that, I wanna be friends again!tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-49790564494150049962007-12-15T12:29:00.000+01:002007-12-15T12:46:10.437+01:00Top Ten 2007The end of december is the time when people go crazy for making lists. lists they wish for christmas, lists of things to do next year and, of course, lists of great stuff of this year. I am no different and just like last year, again I am going to make a list of ten records I discovered in 2007. They have not all been relased this year, but this is the year I discovered them and these ten records quite well sum up what has been going on this year.<br /><br />Picking my 10 fave albums of 2007 was not difficult at all. But I am still working on the ranking. Whatever, in the next few days till new year I am going to look back on my year 2007 and write a bit about the most fantastic albums that accompanied me through it.tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0tag:blogger.com,1999:blog-32915771.post-72145967523499442682007-10-10T21:58:00.000+02:002007-10-10T22:17:35.643+02:00Frankie Valli and the mysteries of video shooting"beggin', beggin' you<br />put your dancing shoes on baby"<br />(slightly edited, ;-) )<br /><br /><span style="font-weight: bold;">Frankie Valli</span> - <span style="font-style: italic;">Beggin'</span> (pilooski edit)<br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/rvjRNYqV4ds"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/rvjRNYqV4ds" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br /><br />The most amazing song for me at the moment.<br /><br />Why on earth they shot a video like this one is a mystery to me. Frankie Valli & The Four Seasons (why the full name of the band isn't spelled out correctly is a mystery either) were, among other things, successful in the British northern soul scene in the 60s. Considering the timeline, the 1950s petticoat dancers are a complete miscast, and the sound doesn't really apply to these 80s hiphop dancers either.<br /><br />There are people dancing northern soul nowadays. I bet these two young men would have loved to take part in the video:<br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/w5Fwc_BRPQY"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/w5Fwc_BRPQY" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object><br /><br />Better luck next time!<br /><br />And in case you would like to see and hear more northern soul (like I do!), try these guys:<br /><br /><object width="425" height="350"><param name="movie" value="http://www.youtube.com/v/TPoZ4atoRbw"></param><param name="wmode" value="transparent"></param><embed src="http://www.youtube.com/v/TPoZ4atoRbw" type="application/x-shockwave-flash" wmode="transparent" width="425" height="350"></embed></object>tba.http://www.blogger.com/profile/10047232342884875353noreply@blogger.com0